Photography blog aggregation and free web photo album online for my photos sharing.

SNAPSHOCK IS COMING TO TOWN

Posted by iPhoto.org On Feb 26, 2009

You better watch out,
You better bookmark,
You better ready your pics, cos I'm tell you why...

Snapshock is coming to town!!

Snapshock

THE BEST PLACE FOR DRY SEAFOOD

Posted by StarryGift On Mar 20, 2009

全香港其中一間最具規模的海味網上專門店。專營零售燕窩、鮑魚、海參、魚翅、花膠、元貝、冬蟲草,極具食療價值。此外亦提供各項中藥海味烹調方法,以導出各食品的固本培元及補生之效。

客戶服務熱線:3158 1276
傳真熱線:3158 1416
電郵查詢:info@starrygift.com

海味軒 | 香港燕窩海味網上專門店

ADVERTISE WITH US

Posted by iPhoto.org - Feb 26, 2009

Advertise here in this prominent space for only $100 per month, your advertisement will appear in all of the post pages available across this website.
Check out the link about for more advertisement options provided, get your message across!

Advertise with Us


11 Tips for Band Promotional Photography

On Friday, April 30, 2010

In this post Tom Di Maggio Photography shares 11 tips for taking band promotional photography.


band-promotional-photography.jpg


Knowing your gear and how to achieve a correct exposure is the basis for every picture you take, no matter what kind of photography we are talking about. When it comes to band promotional photography, it is but a small part of the equation.


There’s a lot of factors that you need to take into consideration in order to get the pictures that you want. 80% of the work is done during the preparation of the shoot. The better the preparation the smoother everything will work out on the day of the shoot. The following tips are not about what gear to use, or what settings are better suited, but rather about organization and how to use the available time in a most effective way as to get the best possible pictures and still have fun during the process.


band-promotional-photography-1.jpg


1. Meet the band and get a feeling for their music. Ideally get them to let you shoot one of their performances and meet them after they’ve seen your pictures. Use this meeting to identify the style of pictures they want to go for and what they will be using the pictures for. You’ll have to consider space in the composition for text or other things if the pictures are being used on the web or as a cd cover.


2. Location scouting is very important, but very time consuming as well. Don’t be afraid to ask the band if they have a location in mind, ask your friends and family as well. You never know. I often use bars, restaurants or even concert venues for the photo sessions. Just make sure you always ask for permission.


band-promotional-photography-2.jpg


3. Once you found the location take some snapshots, preferably at the same time of the day as the shoot will take place and from as many angles as you can. You will have to use these in order to prepare the lighting setup for the shoot. It is very important that you know which pictures that you want to take and thus where you are going to put your strobes before you arrive at the location on the day of the shoot. There probably won’t be enough time to improvise and it will look as though you’re not really sure about what you’re doing, the band will become insecure and it will have an impact on the end result.


4. Small but important details are the clothes worn by the band members. Try to get them to match the location and the style of the shoot. In some situation you might want to go the absolute opposite way, but it has to fit the purpose.


band-promotional-photography-3.jpg


5. Make a list of pictures that you’d like to have at the end of the session. Be realistic here, there’s no point in trying to fit 10 different sets into 60 minutes. You’d rather have a few sets that are well executed and some time left for improvisation than hurrying through your sets and missing some important issues with the lighting or positioning of the band.


6. Once everything is sorted out in terms of photo sets meet the band again and explain in detail what will happen on the day of the shoot. The more they know what they’ll have to do the less explanation you’ll have to do on site, which will leave you more time for the actual picture taking.


7. If you are on a strict time schedule (because of the location or the band) make sure you meet a bit before the starting time. You can use the time to make last minute adjustments, but try to avoid big changes at that time, it could get out of hands very quickly. You have to find the right balance between being flexible and being strict enough to follow the list of pictures you want to take.


band-promotional-photography-4.jpg


8. When you are shooting, always be on the lookout for nice opportunities between the sets, if the group is small enough you might get some keepers from these shots. A second shooter would come in handy here.


9. It’s not a must but usually having some people there to help you with the coordination for the shoot. If you only have an hour you’ll need every minute to make the most out of it. Again if you’re tight on budget ask friends and family. Don’t forget to thank them in an appropriate way ;)


10. The next two are not really about the photo session itself, but I feel it’s important that I share my point of view on these topics. It’s about the never ending argument: to photoshop or not. For me the post processing is a part of the creative aspect of photography, usually I know precisely how the finished product should look like and more often than not this includes post processing. That doesn’t mean that every picture should be heavily post processed. It should be used in a creative way and not to correct mistakes that could have been prevented in-camera.


band-promotional-photography-5.jpg


11. Make sure that you only show a very strict selection to the band. Select your best 10 pictures and show them. There’s no point in showing 60 pictures, they will be surprised by the amount of pictures and this will affect their perception of your work. That being said there’s no harm in sending them a DVD or CD with the other 60 pictures at a later point in time.


See more of Tom Di Maggio’s work at Tom Di Maggio Photography, InFocus Photography and on his Flickr Account.


Post from: Digital Photography School - Photography Tips.



dpsbook.png


11 Tips for Band Promotional Photography







Full story at http://feedproxy.google.com/~r/DigitalPhotographySchool/~3/dfPl6Qs_E4I/11-tips-for-band-promotional-photography

|


Panasonic Lumix DMC-ZR1 Review

On Friday, April 30, 2010

Panasonic has followed this design path for five years now? so I guess you could say things seem to be working for the approach.


Panasonic Lumix DMC-ZR1.jpg


The essence is an attractive, slim camera with touches of steel, easy to find external buttons and a delightfully simple viewfinder menu to adjust the taps and tools in your picture making ? and available in black, silver, red and blue.


The Panasonic Lumix DMC-ZR1 ventures into areas not touched before: for a kickoff, the CCD can capture 12.1 million pixels, a maximum image size of 4000×3000 pixels, imaged by a Leica-designed 8x optical zoom that gives a 35 SLR range equating to 25-200mm.


The camera continues to use the company?s optical image stabiliser that offers twice the shake suppression power of previous approaches ? and the lens is described as having ?the world?s first 0.3mm super-thin aspherical lens.? This allows the body ? at rest ? to have no more than an easily pocketable 26mm thickness; lens extended, it pokes out to only 42mm.


Panasonic Lumix DMC-ZR1 Features


In even more ways this camera steps out from the crowd.


Panasonic Lumix DMC-ZR1 Boat.jpg


Take its continuous shooting feature: you can shoot 2.3 full resolution shots in one second; select a lower res, like 2048×1536 pixels, and expect to snare a run of 30 shots at a rate of ten pictures in each second. Pretty quick!


The exposure options are fairly basic: auto, intelligent auto and a bundle of scene modes. For newbies, Intelligent auto can take a lot of the angst out of photography and ensure you get the picture by taking care of the ISO setting, face detection, red-eye flash correction and any necessary backlight compensation.


Panasonic Lumix DMC-ZR1 People in kayak.jpg


Face Recognition is interesting: if a familiar face is recorded several times, the camera will prompt the user to register the face; if that face reappears in your frame, the camera displays the name you specified and optimises focus and exposure. Up to six people?s faces can be logged.


A useful feature is High Dynamic mode that handles scenes with extremes of brightness and contrast. Fiddlers can also dabble with the camera?s ?artistic? effects that can heighten colour or transform any shot to a B&W version or even add a photo frame to a picture for printing.


ISO 80 f5.1 1:13 second.JPG

Fine performance at ISO 80, as you would expect.


ISO 800 f5.1 1:125 second.JPG

Still surprisingly good at ISO 800


ISO 1600 f5.1 1:250 second.JPG

With care and the right subject, ISO 1600 is useable.


In my ISO tests I found the ZR1 performed admirably at ISO 80, with a sharp, noise free image but I was agreeably surprised at the ISO 800 level, believing this setting could be used for most applications ? noise was low and definition high. Carrying further, ISO 1600?s performance was excellent, making it a real choice for photography at night and beneath low light levels. Very surprising.


I should also mention the manner in which the ZR1 handles ISO: you can select any ISO figure, from 80 to 1600. But there is an additional mode: Intelligent ISO ? this sets up the camera to hover beneath three ceilings ? ISO 400, 800 or 1600 ? and allows the camera to vary sensitivity and shutter speed beneath these three levels.






Movies


Panasonic claims that all LUMIX cameras can shoot Full HD stills at 1920×1080 resolution. However, when it gets down to video it is really only average for cameras at this level, recording 1280×720 pixel movie clips. However, you can replay stills or movies through the camera?s AV or component output.


Distortion


The wide angle end of the zoom showed some barrel distortion, while the tele end displayed a touch of pincushion distortion.


Startup Time


You can shoot your first shot about two seconds after power up, with follow-ons coming in at about a second a shot.

Panasonic ZR1r_Image.jpg


Comment


Quality: without doubt this camera can take above average snapshots that, when downloaded, print out with great clarity and vivacity.


Panasonic Lumix DMC-ZR1 Fire tender.jpg


Why you?d buy the Panasonic Lumix DMC-ZR1: you can enjoy a stabilised 8x zoom lens in a small, compact, stylish camera.


Why you wouldn?t by the Panasonic Lumix DMC-ZR1: not Full HD video capture; only auto operation, with no options for controlling lens aperture or shutter speed.


Panasonic Lumix DMC-ZR1 Specifications


Image Sensor: 12.1 million effective pixels.

Sensor Size: 11mm CCD.

Lens: Leica DC Vario-Elmar f/3.3-5.9/4.5-36mm (25-200mm as 35 SLR equivalent).

Shutter Speed: 60 to 1/2000 second.

Focusing Range: Normal 50cm to infinity; macro W/T 3/100cm to infinity.

Metering: Multi zone.

Exposure Control: Program AE.

LCD screen: 6.9cm (230,000 pixels).

Memory: SD, SDHC and 40MB of internal memory.

Image Size (pixels): 4000×3000, 4000 x 2672, 4000 x 2248, 3264×2448, 3264 x 2176, 3264 x 1840, 2560×1920, 2560×1440, 2560×1712, 2048×1536, 2048×1360, 1920×1080, 1600×1200, 640×480. Movies: 1280×720, 848×480, 640×480, 320×240 at 30 fps.

File Formats: JPEG, Motion JPEG.

ISO Sensitivity: Auto, 80 to 1600.

Interface: SB 2.0, AV (PAL/NTSC) and component output, DC input.

Power: Rechargeable lithium ion battery.

Dimensions: 97.8×54.6×26 WHDmm.

Weight: Approx. 160 g (with battery and card).


Get a price on the Panasonic Lumix DMC-ZR1 at Amazon (currently 33% off recommended retail price).


Post from: Digital Photography School - Photography Tips.



dpsbook.png


Panasonic Lumix DMC-ZR1 Review







Full story at http://feedproxy.google.com/~r/DigitalPhotographySchool/~3/GoS45N7skZg/panasonic-lumix-dmc-zr1-review

|


Today on Image-Acquire.com

On Friday, April 30, 2010
|


Today on Our Other Blogs

On Friday, April 30, 2010
|

Colorful Paper D�cor for SpringRoundup

On Friday, April 30, 2010
These spring and early summer months always make me want to bring lots of bold color into my house, but by the time autumn and winter roll around again, I'm back in the mood for a more muted palette. Temporary decorations, like colorful paper goods, are an excellent solution. Check out some current favorite paper d�cor ideas after the jump.

Read Full Post



Full story at

|

News image




CTPhoto Workshops at Tunxis Community College in Farmington, Connecticut, is now registering students for its one-day photo workshops to be held on select Saturdays in May and June.


Read more and comment »



Full story at http://feedproxy.google.com/~r/photographyblog/~3/zyuVuE1VwTg/

|

House Calls with My Camera

On Friday, April 30, 2010

News image




The Royal Ontario Museum will be hosting an interesting exhibition entitled House Calls with My Camera, a poignant series of photo essays capturing the lives of the patients of Toronto physician Dr. Mark Nowaczynski.


Read more and comment »



Full story at http://feedproxy.google.com/~r/photographyblog/~3/pIlChMawpPg/

|

Polaroid 300

On Friday, April 30, 2010

News image




The Polaroid 300 is a new instant film camera featuring a built-in automatic flash and four scene settings.


Read more and comment »



Full story at http://feedproxy.google.com/~r/photographyblog/~3/QF59Ws9bGhE/

|