Photography blog aggregation and free web photo album online for my photos sharing.

SNAPSHOCK IS COMING TO TOWN

Posted by iPhoto.org On Feb 26, 2009

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Snapshock is coming to town!!

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Posted by iPhoto.org - Feb 26, 2009

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Some are very basic while others go a little deeper – but all have been selected from our archives specifically for beginners and new camera owners. Enjoy.


Introductions to Useful Modes and Settings on Your Digital Camera


digital-camera-modes.jpg1. Digital Camera Modes Explained – I spoke with a family friend recently who had just bought a new point and shoot camera. She came up to me with her camera when no one was watching and embarrassedly asked me if I could tell her what all the little icons on the dial on top of her camera meant. This article explains what each of these most common digital camera modes means and does. Knowing them can take your shots to the next level.


2. Aperture and Shutter Priority Mode – this introduction talks you through these two very useful settings that can be found on many digital cameras. Aperture and Shutter Priority modes take you out of Automatic mode giving you more control over your images – but don’t thrust you fully into manual mode – they are great settings to explore and master.


3. Introduction to White Balance – one of the most common problems that I see in beginner photographer images are shots with incorrect color. We’ve all seen them – portraits where your subjects teeth and eyeballs (and everything else) has a yellowish tinge. Learn what causes this and how to combat it with this tutorial on White Balance.


histogram.jpg 4. Understanding Histograms – ‘histograms are scary’ – this is what one reader said to me recently when they discovered that they could view these little graphs or charts on their camera. While they might seem a little technical it is amazing how simple a histogram is to interpret. Know what you’re looking for and with just a glance you’ll know if your image is under or over exposed. It’s a useful tool to master.


5. Automatic Exposure Bracketing (AEB) – this feature is another of those often unexplored settings that many cameras have built into them that will allow you to get well exposed shots in even the trickiest of lighting situations.



Other Basic Camera Techniques


how-to-hold-a-digital-camer-2.jpg


6. How to Hold a Digital Camera – this beginner tutorial covers a topic that most camera owners skip over without realizing that it is a foundational lesson in photography. Get this wrong and it can impact the quality of your shots.


7. Shutter Release Technique – another ‘basic’ or ‘beginner’ type tip that many do intuitively – but which can drastically improve your photography if you don’t do it.







8. How to Use Focal Lock – yet another beginner technique that many of us take for granted yet which is at the core of how all digital cameras focus automatically. Get this wrong and you’ll take a lot of shots of out of focus subjects and in focus backgrounds!


9. How to Take Sharp Digital Images – ‘my shots are fuzzy’ – it’s a common problem that we’re asked about at DPS so we wrote this tutorial to refer people to to help them get the sharpest images that their camera can take.



flash.jpg 10. Shooting with an In Camera Flash – flash photography with an in built flash can lead to some terribly blown out images – here are a few tips on how to avoid them. On a similar topic – here’s 7 Strategies for Avoiding Flash Blow Out.


11. How to Get Shallow Depth of Field in Your Digital Photos – a great technique to learn if you’re into many types of photography (portraits, macro etc) is how to control the depth of field in your shots and make your main subject ‘pop’ out by making your background nicely blurred – this tutorial talks you through how to do it.


12. Understanding Exposure – this post talks new camera owners through the three main elements of Exposure. Once you’ve read it also check out our introductions to ISO, Aperture and Shutter Speed.


Camera Care and Maintenance


broken-camera.jpg 13. How to Avoid a Dirty DSLR Sensor – one of the fastest ways to ruin every single shot you take with your new DSLR is to end up with a dirty image sensor. This tutorial gives some basic tips on how to ensure it stays as clean as possible.


14. How to Clean a DSLR Lens – as much as you try to protect them – lenses tend to get a little grimy over time. This tutorial shares some basic tips on how to clean them up so that your shots will be as clear as possible.


15. 7 Digital Camera Predators and How to Keep them at Bay – this tutorial talks you through 7 of the most common ways that digital cameras get damaged – what to look out for and what preventative action to take to avoid them.


Composition Tips



200605022117.jpg 16. The Rule of Thirds – whether you know it to follow it or break it – it’s something you should at least know about.


17. Points of Interest – an image without some visual point of interest in it is unlikely to hold the eye of anyone viewing it.


18. Getting Horizons Horizontal – the perfect way to ruin that lovely sunset or landscape shot is to make it lean to one side. Get your Horizon Horizontal!


19. Fill Your Frame – this is not applicable to every shot you take but many photographers could drastically improve their photography by getting in close to their subject and filling their frame.


background.jpg20. Getting Backgrounds Right – the background of your shot can make or break your image. This tutorial talks you through a number of things to look out for and techniques to use to get them just right.


21. Adding Randomness to Your Photos – learn how to set your images apart from everyone else’s by injecting creativity, variety and a little randomness into your shots.


Of course the above 21 Settings, Techniques and Rules for beginner camera owners just scratch the surface of all there is to learn about the art of photography. Subscribe to our blog here (via email or RSS) to get more free daily tips to help you keep improving and learning.


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How to Photograph Fireworks Displays

On Friday, December 31, 2010

Do you want to know how to photograph fireworks? With 4th July just days away I thought I’d refresh this article in which I give 10 Fireworks Photography tips to help you get started.


Fireworks Displays are something that evoke a lot of emotion in people as they are not only beautiful and spectacular to watch but they also are often used to celebrate momentous occasions.


I’ve had many emails from readers asking how to photograph fireworks displays, quite a few of whom have expressed concern that they might just be too hard to really photograph. My response is always the same – ‘give it a go – you might be surprised at what you end up with’.


My reason for this advice is that back when I bought my first ever SLR (a film one) one of the first things I photographed was fireworks and I was amazed by how easy it was and how spectacular the results were. I think it’s even easier with a digital camera as you can get immediate feedback as to whether the shots you’ve taken are good or not and then make adjustments.


Of course it’s not just a matter of going out finding a fireworks display – there are, as usual, things you can do to improve your results. With 4 July just around the corner I thought I’d share a few fireworks digital photography tips:



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1. Use a Tripod



Perhaps the most important tip is to secure your digital camera to something that will ensure it doesn’t move during the taking of your shots. This is especially important in photographing fireworks simply because you’ll be using longer shutter speeds which will not only capture the movement of the fireworks but any movement of the camera itself. The best way to keep your camera still is with a tripod (read our series on tripods and how to use and buy them). Alternatively – keep in mind that there are other non Tripod options for beating camera shake.


2. Remote Release


One way to ensure your camera is completely still during fireworks shots is to invest in a remote release device. These will vary from camera to camera but most have some sort of accessory made for them. The other way of taking shots without touching your camera is to use the self timer. This can work but you really need to be able to anticipate shots well and its very very hit and miss (read more on remote shutter releases).







3. Framing Your Shot


One of the most difficult parts of photographing fireworks is working out where to aim your camera. The challenge you’ll face in doing this is that you generally need to aim your camera before the fireworks that you’ll be photographing goes off – anticipation is key. Here are a few points on getting your framing right.




  • Scope out the location early – Planning is important with fireworks and getting to the location early in order to get a good, unobstructed position is important. Think about what is in the foreground and background of your shots and make sure you won’t have people’s heads bobbing up into your shots (also consider what impact you’ll have on others around you also). Take note of where fireworks are being set up and what parts of the sky they are likely to be shot into – you might also want to try to ask some of those setting up the display for a little information on what they are planning. Also consider what focal lengths you might want to use and choose appropriate lenses at this time (rather than in the middle of the show).

  • Watch your Horizons - One thing that you should always consider when lining up fireworks shots is whether your camera is even or straight in it’s framing. This is especially important if you’re going to shooting with a wide focal length and will get other background elements in your shots (ie a cityscape). Keeping horizons straight is something we covered previously on this site and is important in fireworks shots also. As you get your camera on your tripod make sure it’s level right from the time you set up.

  • Vertical or Horizontal? – There are two main ways of framing shots in all types of photography, vertically (portrait) or horizontally (landscape). Both can work in fireworks photography but I personally find a vertical perspective is better – particularly as there is a lot of vertical motion in fireworks. Horizontal shots can work if you’re going for more of a landscape shot with a wider focal length of if you’re wanting to capture multiple bursts of fireworks in the one shot – but I don’t tend to go there that often.

  • Remember your framing – I find that when I photograph fireworks that I spend less time looking in my viewfinder and more looking at the sky directly. As a result it’s important to remember what framing you have and to watch that segment of the sky. Doing this will also help you to anticipate the right time for a shot as you’ll see the light trails of unexploded rockets shooting into the sky.


4. Focal Length?



One of the hardest parts of photographing fireworks is having your camera trained on the right part of the sky at the right time. This is especially difficult if you’re shooting with a longer focal length and are trying to take more tightly cropped shots. I generally shoot at a wider focal length than a tight one but during a show will try a few tighter shots (I usually use a zoom lens to give me this option) to see if I can get lucky with them. Of course zoomed in shots like the one to the left can be quite effective also. They enable you to really fill the frame with great color. Keep in mind however that cropping of your wider angle fireworks shots can always be done later to get a similar impact in your photography.


5. Aperture


A common question around photographing fireworks displays is what aperture to use. Many people think you need a fast lens to get them but in reality it’s quite the opposite as the light that the fireworks emit is quite bright. I find that apertures in the mid to small range tend to work reasonably well and would usually shoot somewhere between f/8 to f/16.


6. Shutter Speed



Probably more important to get right than aperture is shutter speed. Fireworks move and as a result the best photographs of them capture this movement meaning you need a nice long exposure. The technique that I developed when I first photographed fireworks was to shoot in ‘bulb’ mode. This is a mode that allows you to keep the shutter open for as long as you hold down the shutter (preferably using a remote shutter release of some type). Using this technique you hit the shutter as the firework is about to explode and hold it down until it’s finished exploding (generally a few seconds).


You can also experiment with set shutter speeds to see what impact it will have but I find that unless you’re holding the shutter open for very long exposures that the bulb technique works pretty well.


Don’t keep your shutter open too long. The temptation is to think that because it’s dark that you can leave it open as long as you like. The problem with this is that fireworks are bright and it doesn’t take too much to over expose them, especially if your shutter is open for multiple bursts in the one area of the sky. By all means experiment with multiple burst shots – but most people end up finding that the simpler one burst shots can be best.


7. ISO



Shooting at a low ISO is preferable to ensure the cleanest shots possible. Stick to ISO 100 and you should be fine.


8. Switch off your Flash


Shooting with a flash will have no impact upon your shots except to trick your camera into thinking it needs a short exposure time. Keep in mind that your camera’s flash will only have a reach of a few meters and in the case of fireworks even if they were this close a flash wouldn’t really have anything to light except for some smoke which would distract from the real action (the flashing lights).Switch your flash off.


9. Shoot in Manual Mode


I find I get the best results when shooting in manual exposure and manual focus modes. Auto focusing in low light can be very difficult for many cameras and you’ll end up missing a lot of shots. Once your focusing is set you’ll find you don’t really need to change it during the fireworks display – especially if you’re using a small aperture which increases depth of field. Keep in mind that changing focal lengths will mean you need to need to adjust your focusing on most lenses.


10. Experiment and Track Results



Throughout the fireworks display periodically check your results. I generally will take a few shots at the start and do a quick check to see that they are OK before shooting any more. Don’t check after every shot once you’ve got things set up OK (or you’ll miss the action) but do monitor yours shots occasionally to ensure you’re not taking a completely bad batch.


Also experiment with taking shots that include a wider perspective, silhouettes and people around you watching the display. Having your camera pointed at the sky can get you some wonderful shots but sometimes if you look for different perspectives you can get a few shots that are a little less cliche and just as spectacular. Most of the best shots that I’ve seen in the researching of this article have included some other element than the fireworks themselves – whether it be people, buildings, landmarks or wider cityscape perspectives.


More Tips from DPS Readers





  • “Find Out the Direction of the Wind – You want to shoot up wind, so it goes Camera, Fireworks, Smoke. Otherwise they’ll come out REALLY hazy.”

  • “Also, I find that if you shoot from a little further back and with a little more lens, you can set the lens to manual focus, focus it at infinity and not have to worry about it after that.”

  • “Remember to take advantage of a zero processing costs and take as many pictures as possible (more than you’d normally think necessary). That way, you’ll up your chances of getting that “perfect” shot.”

  • “Make sure you are ready to take pictures of the first fireworks. If there isn’t much wind, you are going to end up with a lot of smoke in your shot. The first explosions are usually the sharpest one.”

  • “Get some black foam core and set your camera to bulb. Start the exposure when the fireworks start with the piece of foam core in front of the lens. Every time a burst happens move the foam core out of the way. You will get multiple firework bursts in one exposure”

  • “Another tip I would add to this is pre-focus if possible (need to be able to manually focus or lock down focus for good) before the show starts so other elements in the frame are sharp They did mention that you only need to focus once but its a lot easier to take a few shots before the show starts and check them carefully rather than wait until the show has begun and you are fiddling with focus instead of watching fireworks!”


Tell us your fireworks display photography tips in comments below. Don’t forget to tell us which city you’re in and what the fireworks are like there!


We post tutorials like this every day – Get more via email with our free weekly newsletter.


PS: Got some fireworks photos to share with us? Head over to our forum where there are a few fireworks photography discussions taking place.


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Polar Bears Destroy Spy Cameras

On Friday, December 31, 2010


This video is probably going to be the funniest thing that I have seen all day.


I’ve always wondered how those nature cameras got close to their animal subjects, and this video shows an epic Fail. You will note how the polar bears are more than curious about their watchers. They just smash them up!


The moral is: if you’re looking at polar bears, make certain your cameras are well-concealed.


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I thought that the video of the polar bears was the neatest thing I was going to see all day, until I saw this.


I always love amateur special-effects videos, and this one by YouTube user Corridor Digital known as Graphic Violence is one to watch. Granted, the plot is a tad weak, but its worth it to see characters burst through windows.


This is a definite warning as to not ruin someone’s painting.


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Panasonic LUMIX G VARIO HD 14-140mm F4.0-5.8 ASPH. MEGA O.I.S. Review thumbnail



The Panasonic LUMIX G VARIO HD 14-140mm F4.0-5.8 ASPH. MEGA O.I.S. is a super-zoom lens for the Micro Four Thirds system of interchangeable lens cameras. Offering an effective focal range of 28-280mm in 35mm terms, the Panasonic 14-140mm lens is ideally suited for recording video thanks to its near-silent, high-speed focusing. Read our Panasonic LUMIX G VARIO HD 14-140mm F4.0-5.8 ASPH. MEGA O.I.S. review to find out if it's worth adding to your lens collection.

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Panasonic LEICA DG MACRO-ELMARIT 45mm F2.8 ASPH. MEGA O.I.S. Review thumbnail



The Panasonic LEICA DG MACRO-ELMARIT 45mm F2.8 ASPH. MEGA O.I.S. is a macro lens for the Micro Four Thirds system of interchangeable lens cameras. Offering an effective focal range of 90mm in 35mm terms, the Panasonic 45mm lens offers 1:1 magnification, yet it's small enough to fit in your hand and only weighs 225g. Read our Panasonic LEICA DG MACRO-ELMARIT 45mm F2.8 ASPH. MEGA O.I.S. review to find out if it's worth adding to your lens collection.

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Samsung WB700

On Friday, December 31, 2010

News image




The Samsung WB700 is a new travel-zoom camera with an 18x optical zoom lens.


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Full story at http://feedproxy.google.com/~r/photographyblog/~3/TSjD7cJ-R_E/

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Samsung NX11

On Friday, December 31, 2010

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The Samsung NX11 is the latest NX system camera.


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